Mikhail Mering

Israel, 34 y.o.
Mering-Mikhail
To me, being a conductor means, first and foremost, serving the art of music as the deepest movement of the human spirit, a truth beautifully captured by Hegel. Especially in today’s fragmented and challenging world, our ultimate responsibility on the podium is to offer spiritual elevation and transform the silent scores of geniuses into a living refuge for the soul. It is a profound privilege to share this artistic journey with the orchestra, where the mutual exchange of musical ideas empowers us to touch the sublime and grow richer together.

Mikhail Mering

Israel, 34 y.o.

Mikhail began his musical career as a clarinettist, graduating in 2014 from the Conservatoire à Rayonnement Régional de Versailles, where he studied under Professor Philippe Cuper. That same year, he won Third Prize at the Jacques Lancelot International Clarinet Competition in Japan, followed by First Prize at the Béla Kovács International Clarinet Competition in Hungary in 2015. He then devoted himself fully to orchestral conducting, completing his studies in 2018 at the Tchaikovsky Moscow State Conservatory.

He has taken masterclasses and received artistic guidance from Maestro Tugan Sokhiev, as well as Professors Michał Klauza and Sophie Rachlin.

In 2023, Mikhail was awarded Third Prize at both the Grzegorz Fitelberg International Conducting Competition in Poland and the Hong Kong International Conducting Competition.

He currently serves as Assistant Conductor to Julian Rachlin at the Jerusalem Symphony Orchestra. In this role, he has worked on projects involving music by Sofia Gubaidulina and touring performances featuring Penderecki’s Duo Concertante.
His collaborations include the Tokyo Philharmonic Orchestra, Polish Radio Symphony Orchestra, Silesian Philharmonic Orchestra, Israel Philharmonic Orchestra, Philharmonic Brass, the Jerusalem Camerata, the Raanana Symphonette, and the Israel Chamber Orchestra. 

He previously served as Assistant Conductor to Tugan Sokhiev at the Bolshoi Theatre for acclaimed productions of Tchaikovsky’s Mazeppa, Mozart’s Don Giovanni and Shostakovich’s Lady Macbeth of Mtsensk. He also assisted Evan Rogister on Wagner’s Lohengrin, a joint production between the Bolshoi Theatre and the Metropolitan Opera.

Selected programme

Preliminary Round
Beethoven: Leonora Overture n°3 opus 72b

Semi-Finals
Wagner: Lohengrin Prelude to Act III

Mozart: The Magic Flute
Sprecher and Tamino, Act I, Scene 11, Recitative for Sprecher and tenor, without aria

Tchaikovsky: Symphony n°6 in B minor opus 74, “Pathetique”, (1st movement)

Finals
Evgeny Svetlanov: Symphony, Largo (3rd movement) 

Antonino Abate: Il Re D’Ithaca (The King of Ithaca), commissioned for the Competition (The score is provided to the finalists one and a half hour before the performance)

One of the following works chosen by the candidate:

  • Elgar: Enigma Variations opus 36
  • Franck: Symphony in D minor
  • Tchaikovsky: Symphony n°2 in C minor opus 17