Silvina holds a Master’s degree in Orchestral Conducting from the Haute École de Musique de Genève and a Bachelor’s degree in Orchestral Conducting from the Universidad Nacional de las Artes in Argentina.

She has participated in the Besançon International Competition for Young Conductors, the Gstaad Conducting Academy, the Festival d’Aix-en-Provence, and La Maestra International Competition. As a mentee of the Taki Alsop Conducting Fellowship, she receives guidance from Marin Alsop and worked with Peter Eötvös through the Peter Eötvös Contemporary Music Foundation.

Her 2025/26 season includes debuts with the Orchestre de Chambre de Lausanne, the Orquesta Filarmónica de Buenos Aires and the Orquesta de Extremadura.

During the 2024/25 season, she serves as Assistant Conductor at the Opéra National de Lorraine and returns to the Orchestre National d’Auvergne-Rhône-Alpes and the Opéra de Lyon as Assistant Conductor.

In 2023/24 season, she made her debut at the Opéra Nouvel de Fribourg and the Opéra de Lausanne.

Since her operatic debut in 2012, she has conducted productions of Strauss’s Die Fledermaus, Mozart’s Così fan tutte, Le nozze di Figaro and Don Giovanni, Moreno Torroba’s Luisa Fernanda, and Donizetti’s L’elisir d’amore in Buenos Aires. 

Her collaborations include the Orchestre de Chambre de Genève, the Orchestre National d’Auvergne-Rhône-Alpes, the Orchestre de l’Opéra de Lorraine, Ensemble Contrechamps, and the Orquesta Sinfónica Nacional Argentina.

Her work has been supported by the Mozarteum Argentino and by several foundations and cultural institutions.